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Chanson de Roland
- Lady Ronit
- Oct 29, 2024
- 3 min read
Turold, XI Century
Joseph Bédier's Chanson de Roland is the most repulsive book my good Jewish hands have ever held. CCXCI laisses proclaim a true dogma of Christianity, and it should be distributed by clergy as informational pamphlets. If there are any volunteers, I will eagerly sponsor the first edition, though unfortunately, those times are long gone; today’s ignorant masses prefer to drown themselves in artificial reality rather than reading.
A laudatory song in praise of the criminal Charlemagne and his lackey Roland left no impression on me. Chanson de Roland is something akin to black comedy, the descriptions of fictitious battlefield deeds alternately provoke laughter and disgust. The first, because Christianity is pathetic; the second, because Christianity is even more than pathetic, it is disgusting.
The pathetic descriptions of primitivism elevated to the status of bravery form the comedic element in Chanson de Roland. How can one take seriously Christians whose religion is based on pagan superstitions and brutal crusades? I dismiss the troubadour Turold’s ramblings as fairy tales; Chanson de Roland is nothing more than an inept political doctrine.
Of course, my harsh words are not directed at contemporary Christians. What, after all, is modern Christianity? An artificial creation, a mishmash of pseudo-Christians, forcibly converted centuries ago, who for generations have lived according to an empty and falsified law, ensuring throughout their lives that the Vatican mafia never has empty pockets. Can one hold the foolish accountable for their boundless stupidity? Can one blame the cowardly who lacked the strength to walk into fire and death, and were thus often baptized by force?
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